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The importance of words (songs of love, anti​-​capitalism and mental illness)

by SOLO

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  • Box including:

    - USB Drive/keyring with "The importance of words (songs of love, anti-capitalism and mental illness)" album, plus a lot of extra features and unreleased content that will not be available online, including two bonus discs (containing alternative versions, remixes and bootlegs ), videos and pictures;

    - Pick/necklace with album cover printed on it;

    - Glass with SOLO logo;

    - Shopping bag with SOLO logo

    Includes unlimited streaming of The importance of words (songs of love, anti-capitalism and mental illness) via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
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1.
Hanging in my thoughts my body’s static, I don’t make no move at all Laying on my bed I see my shadow dancing but I still don’t move Don’t shoot the piano player, don’t try to stop him now he’s just a poor man trying to get some tunes Don’t shoot the piano player, don’t waste the talent he’s got he’s just playing but where’s the piano? I wanna leave, now, or maybe just stand here with my eyes fixed on the wall I can’t complaint ‘bout my brain that is trying to escape from my so fucked up world Don’t shoot the piano player, don’t even try to make some noise I want to listen to his world Don’t shoot the piano player, don’t you see how he’s good? He can play even without piano
2.
I remember the first time when we just met We were just twelve but you looked just so adult And I still can’t forget the way I looked at you My world was videogames and comic books I think, now, maybe you were not allured With all that stuff, was I too immature? That night I fell in love Just like a child could love, was that love true? Now two years have passed away, we met again We were two teens but I was so naive And you still looked more big compared to me There was people all around us but I was So hypnotized by you and I didn’t know What could I do to make you look at me too That night I fell in love, again Just like a teen could love, I was so Breathless and I was so determined to Trying to catch a smile from your lips The moon was so shining bright, or maybe it just seems to me I prayed the night: “Please, never end” I looked at the mirror, now I am 34 A grow up child, I still read comic books I wonder if you've changed in all this time My thoughts go backwards to that summer night When I should have done more things than I did I really would have do lot more of things, you see? But now that time has gone And I feel a bit low but happy Wondering if you too remember me If you too remember that times When we were just sitting there, feelings that I could feel Summer’s fading like tears from my eyes
3.
You say we should fight climate change But you won’t shut your AC We have, you said, to integrate minorities but when they are exploited you won’t say a word, that’s mean We have to fight tha fascist wave but then you vote for capitalism You don’t eat meat ‘cause farming is one of the causes of World pollution but you don’t care to buy sustainable food: why? I'm not sure your thoughts are clear And you can’t see, you won’t see that you’re a fake Hypocrisy that's all I see Only lies all around of me Living your life through a fucking screen you think you’re righteous but you’re just a slave, you’re just fooling yourself ‘cause you don’t really care You don't want to give up to your consumer rights, that’s the point, you fucking nut And all you say, all you say is just a play
4.
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5.
In the name of progress and of all that’s good you should listen to what are now saying the news Do you realize that everything you choose it’s because they say what’s bad or good for you? Propaganda in my eyes, again Propaganda in my eyes, again Everything you think even if it’s good it’s so pointless if it doesn’t come from you And it’s no surprise, hey if you think is gold I know it’s all fake but you want more Propaganda in my eyes, again Propaganda in my eyes, again Hey, let me say they brainwash you and you like it that way They aim to your head they empty it then they fill it, you’re erased And you obey, you’re their prey, and you say all they say so propaganda it’s in my eyes again Propaganda in my eyes, again Propaganda in my eyes, again Propaganda: I don’t mind But propaganda is in my eyes again
6.
Something when I see your sad smile catch me in a web of cold warm thoughts I can’t bring your fear out of you You can’t get what I want or I should Now we now are trapped in this amazing maze that people, you know, call life (But I don’t know where you are) Are you sure you want all this or not? (And where am I?) We’d better lose our way to home (We’d better find our way to home) Oh, now you’re feeling sad, you know? I feel the same Oh, feed your pain then try to fight, not to escape Take a look around of you, now look away from all that you think you knew (I can’t see clear, I need new points of view) It’s all a mistake, you won’t be late to kill beliefs and then yourself Oh, all this thoughts and wills are fake like beautiness Oh, is so sad when all you feel is ready-made And now you maybe won’t believe (I don’t believe in anything) That all your fears are born with this (There’s nothing that can stop my fears) You just should understand that you should forget what you have learned There’s nothing more to see in this outrageous thoughts that burn inside (Now that I’m blind I can see) Let’s put them out or maybe just let’s put on them some wood and gas Oh, we will burn ourselves, our thoughts, our life within Oh, we will burn the pain, the sadness now so clear You know, you don’t need all of this (You know, my needs is all I need) That’s something more or less to see (Or, maybe’s all that I don’t need) This pointless stuff won’t free your life Realize this and So Realize this and Realize this and then you will fly
7.
8.
Trembling in a friendly crossbow street I’m feeling downstairs Look out the world, look out now Look out the world, look out now There is something clear but they hide it, I can’t see I don’t understand now and no more the importance of words Look out the world, look out now Look out the world, look out now Say, that’s something here that’s beyond what I can see But I’m feeling like the world’s chocking me Do you feel the lies? They feed you with their lies They’re affecting me, how could I be free? Sparkling houses glitter now in here will blast in and off Look out the world, look out now Look out the world, look out now One of the biggest lies is that you are what you buy And I’m feeling like the world’s chocking me Feeding me with needs, do I need all this? And I’m feelingless with my angriness Like I would Like I should Like I could Like our world Buy, purchase, take all, obtain; fuck it all, I’m feeling like God Nothing, I swear, could now hurt me like these thoughts they put inside my head
9.
10.
And, in the end, all that matters is that you gotta try to think outside these fucking same old schemes Yeah, I know, it’s not easy you get confused, I know, when they are bombing you with so much shit And I’m feeling just like you I’m feeling just like you Our feelings are so screwed

about

Out on March 16, 2024, “The importance of words (songs of love, anti-capitalism and mental illness)” is the debut album by SOLO.

The album is a mix of influences, balancing experimentation and catchiness, social themes and more intimate and reflective lyrics.
MUSICAL GENRES AND INFLUENCES

After releasing five singles, each one different from the last, which garnered him extensive media coverage on prestigious international magazines such as Prog, Metal Hammer, It's Psychedelic, Baby and Post-Punk.com, the eclectic artist decided to compile the previously released tracks plus five new ones in an album that is a melting pot of genres, but at the same time coherent, with an eye always on experimentation, art rock and psychedelic rock.

«I am an omnivorous listener, there are really few genres of music that I don't listen to. So it's natural for me to be influenced by different musical genres from time to time. At the same time, I've always been very attracted to heterogeneous albums. In particular, I think of the Beatles’ “White Album”: 30 tracks, 30 musical genres that follow one another, leaving the listener baffled each time».

The Beatles, but not only, are among SOLO's influences, which range from rock to pop, from punk to art rock, not disdaining incursions into 50’s experimental electronic music or marching band fanfare.

«If I had to list the artists who have most influenced me (and from whom I have stolen ideas) in writing the tracks that make up "The importance of words (songs of love, anti-capitalism and mental illness)", I would naturally have to mention the Beatles first of all. And then Pink Floyd, the early Muse and the more guitar-oriented Radiohead, Nirvana, Karlheinz Stockhausen and Pierre Schaeffer, Edoardo Bennato, up to marching band composers, who were influential for me in the period when I played the saxophone in fanfare. And Terry Gilliam and the Monty Python. In many reviews of the singles, there have been similarities noted with Suede, Gong, The Cure, Blossom Toes, Daft Punk and countless other bands that I may not have even listened to: it's the beauty of music and art in general, to arrive at similar solutions from similar listening».


TOPICS COVERED

As with the musical genres, the themes explored in the lyrics of “The importance of words (songs of love, anti-capitalism, and mental illness)” are disparate (as suggested by the album's subtitle), divided between personal reflections and analyses of the society we live in.

«The main themes explored in “The importance of words (songs of love, anti-capitalism, and mental illness)” are certainly political and social in nature, particularly related to our consumer society, an uncontrolled free market, and a predominant capitalism that influences our lives. And not in a positive way. Influenced by the writings of Pier Paolo Pasolini, Naomi Klein, and Noam Chomsky, I have always been very critical of society and how it influences us, even deep down: the “mental illnesses” in the title, I am convinced, are due in large part to how the social constructs that they impose on ourselves and that we too impose on ourselves influence us. So it's all connected. Even the way we feel love, to close the circle».


FROM WRITING TO RECORDING

“The importance of words (songs of love, anti-capitalism, and mental illness)” was recorded entirely by SOLO, between his personal studio and those of the Hexagonlab Studio, assisted by David Garofalo and Nico Saturno on drums.

«As the name suggests, I was (almost) alone in the recordings, a condition that was created by the fact that I was unable to find musicians to actively accompany me in the project. So I juggled guitars, basses, programming, electronic instruments such as sinusoidal oscillators, noise generators, filters and sequencers (all digital), and various objects used in a percussive way. Having the arrangements of my songs well in mind already, even before picking up the instruments, it was relatively easy to record them. When I write a song, I almost always think of it already in its entirety, so imagining how bass and drums should also sound. In fact, I wrote the drum arrangements too: Nico and David had the patience to learn them and play them the way I wanted them to (except on “Propaganda in my eyes, again (you're erased)”: there David totally distorted my idea of drums, which was originally much slower, and I have to say that the result was quite remarkable). In any case, I am very proud of these arrangements, especially with regard to the bass lines, which are all very melodic, almost like second voices, very singable».


EXPERIMENTATION ON SOUND AND 3D

In addition to the themes and lyrics, the album “The importance of words (songs of love, anti-capitalism and mental illness)” also features a great deal of experimentation with sound, both in the recording and mixing stages.

«In my songs, in addition to paying attention to writing arrangements that are as distinctive as possible, I always try to add something extra by experimenting with sounds. I have thousands of euros worth of guitar and bass pedals that I enjoy mixing together to create sounds and soundscapes. I used a lot of modulations, unusual rooms, even on vocals, up to synths. In this regard, I want to say that all the synths on the album are played with guitar and bass, not keyboards, while the arpeggiators were made note by note on computer and the marching band instruments were written in the form of a score and then digitized. A lot of attention was also given to spatialization: it is important to listen to it with headphones, to be able to appreciate at best some sounds that move from one channel to another, in some cases in binaural, creating a 3D effect, to “wrap” the listener».
THE FEATURINGS

The album also features vocals by Nobody and Alidavid, respectively on the tracks “Something (you don't need)” and “What's the topic of the day? (forget the rest)”.

«I owe a lot to their participation, because they perfectly captured the essence of the tracks. For “Something (you don't need)” I wanted a female voice that was not one of the canonical ones (as, in fact, mine is not): I wanted it thin, a little childish. I was looking for it, but I couldn't find it. One night, drunk in a bar, I heard Nobody (who is also the bassist of The Bordello Rock ‘n’ Roll Band) sing: I had found it! “What's the topic of the day? (forget the rest)” is an over-the-top spoken word that apes the propaganda of the 40’s (advertising that already had some rather “peculiar” vocalists in itself). Thinking of Monty Python (in particular the sketch by Terry Gilliam “International Communist Party of China”) I had tried to record it myself, but my interpretation was terrible. So I asked Alidavid to try it himself. I have to say that the way he was able to recreate what was my idea is impressive, without me having to give him so many indications: chapeau!».


THE PENDRIVE, THE BONUS DISCS AND THE EXTRAS

The album will be released on a USB drive, with a lot of unreleased content that will not be available online, including two bonus discs (containing alternative versions, remixes and bootlegs), videos and pictures.

«I have always been fascinated by bootlegs, especially those that retrace the stages of work behind the songs and that allow you to enter the artist's world, and make you understand how much work (and what kind of work) there is behind the evolution of the songs, from their first guitar and voice sketch to the definitive version: the overdubs, the experiments, the alternative arrangements then discarded... Very presumptuously, I think that all this material of mine could be of interest to someone who maybe wants to understand where I started from to arrive at the final song, so I decided to insert, into the pendrive, a bonus disc, “The evolution of The importance of words (songs of love, anti-capitalism and mental illness)”, with this “storyline” of the album's tracks. Another bonus disc, “The importance of words [ALTERNATE VERSIONS, REMIXES & OTHERS]”, is instead dedicated, indeed, to alternative versions, remixes and special rehearsals. In addition, always on the pendrive, all the music videos released, promo videos, graphics, promo pics, single covers, will be included».

credits

released March 16, 2024

“The importance of words (songs of love, anti-capitalism and mental illness)”, mixed by Edoardo Di Vietri at the Hexagonlab Studio, was mastered by Carl Saff, who has worked with artists such as Sonic Youth, Mudhoney and Daniela Pes.

Vocals, guitars, basses, electronic instruments and programming are by SOLO; all drums by David Garofalo except on “Hypocrisy (it's all I see)”, played by Nico Saturno.

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SOLO Italy

SOLO is a project that ranges between genres: psychedelic music and grunge coexists with indie pop, art rock, shoegaze, electronic music, marching bands, musique concrète.

The leitmotiv across the songs is experimentation (especially on sounds, thanks to a massive use of effects) and by intolerance towards the society in which we live today.
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